Branko Ružić, The Ark, 1966

Branko Ružić
The Ark, 1966

Branko Ružić graduated in sculpture in 1944 (mentored by Frano Kršinić) and in painting in 1948 (mentored by Marino Tartaglia) from the Academy of Fine Arts in Zagreb, where he taught from 1961 to 1985.
The sculptural works that Ružić created are both archetypal and contemporary, which earned him a prominent position in contemporary Croatian sculpture. He developed his own sculptural language of concise organic forms, of powerful internal dynamics and of monumentality. Elementary, simple, ancient yet modern, and mostly made of wood, Ružić’s oeuvre consists of refined and simplified forms whose significance is existentialist. As a painter, Ružić also sought to portray the world around us the way he experienced it, the way his inner eye saw it. The form of his paintings is concise, with which he presents a maximum of experience of a referential theme by using a minimum of visual language, often exploring the motifs he already established in his sculptures.
Ružić’s The Ark (Noah’s Ark) represents his vision of fellowship amongst people. By carving in the body of wood on both sides, face to face, he modelled stretched and geometrically cut figures in a round log creating a dynamic sculptural composition. The hollow inner space of the log is a dark immaterial shadow – the spiritual state of the figures facing each other, both closing and opening the space of the sculpture.

Text: Tatijana Gareljić, museum advisor of the National Museum of Modern Art © National Museum of Modern Art, Zagreb
Translated by: Ana Janković
Photo Goran Vranić © National Museum of Modern Art, Zagreb

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