Dalibor Stošić, Large Torso, 2010

Dalibor Stošić
(1958)
Large Torso, 2010
oak, steel
178 x 82 x 131 cm
MG-8624

Dalibor Stošić earned his sculpture degree from the Academy of Fine Arts in Zagreb in 1985, in the class of Professor Stipe Sikirica. He worked in the studio of Dušan Džamonja until 1988. He subsequently continued his training in Italy and France, where he established himself as a respected contemporary sculptor. Stošić later worked a professor at the Academy of Fine Arts in Zagreb.
Stošić’s striking sculptural oeuvre is characterised by a reductionist expression and hard materials such as wood and metal, which he assembles into diverse organic forms. His sculptures are compact, featuring closed geometric forms and refined execution, their proportions harmonious and their composition symmetrical. Varying his techniques and remodelling his designs, Stošić often develops a motif over an extended period of time.
Despite its perfectly polished surface, the organic epidermis of the Large Torso (also referred to as the Minotaur) remains untouched by the time-induced cracks and irregularities of the wood. The monumental corpus of ebony, with minimal interventions, is reinforced by a secondary steel central square axis that fills the ancient oak trunk, aged for hundreds of years in the river. Enclosed within the volume, in the duality of the organic outer layer held by a cold metal geometric structure, lies the sculptor’s vision of art, which, through the high aestheticization of the constructive elements of his sculptures, allows for the coexistence of the mechanical and the organic; civilisation and nature.

Text: Tatijana Gareljić, museum consultant of the National Museum of Modern Art © National Museum of Modern Art, Zagreb
Translated by: Robertina Tomić
Photo: Goran Vranić © National Museum of Modern Art, Zagreb

Dalibor Stošić, A Cricket (2005-2008)

Dalibor Stošić
(1958)
A Cricket (2005-2008)
oak wood, steel
MG-7139

Dalibor Stošić graduated in sculpture in 1985 from the Academy of Fine Arts in Zagreb under Prof. Stipe Sikirica. He worked at sculptor Dušan Džamonja’s studio until 1988. He stayed and studied in Italy and France, where he has established himself as an acclaimed contemporary sculptor. He teaches at the Academy of Fine Arts in Zagreb.
Stošić’s striking sculpture oeuvre features a reductionist expression and hard materials, such as wood and metal, which he assembles into different organic forms. His sculptures are compact, of closed geometric forms and refined execution, their assemblage is sturdy and clear, their proportions harmonious and their compositions symmetrical.
Varying his techniques and remodelling his designs, Dalibor Stošić often develops a motif over a longer period of time, examples of which are his An Owl (2007) and A Cricket (2005-2008). He combines the warmth of wood and the coldness of metal in an original way. In his A Cricket, Stošić nailed heavy steel forms to a massive body of oak wood of simple rounded forms, adding to the sculpture its distinctive features with the help of associatively modelled zoomorphic forms bearing the cricket’s recognisable physical traits.

Text: Tatijana Gareljić, museum consultant of the National Museum of Modern Art © National Museum of Modern Art, Zagreb
Translated by: Ana Janković
Photo: Goran Vranić © National Museum of Modern Art, Zagreb

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